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	<title>Comentários sobre: Frost/Nixon (2008)</title>
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	<link>http://lamina.wordpress.com/2009/01/03/frostnixon-2008/</link>
	<description>danger: helvetica</description>
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		<title>Por: Joe</title>
		<link>http://lamina.wordpress.com/2009/01/03/frostnixon-2008/#comment-434</link>
		<dc:creator>Joe</dc:creator>
		<pubDate>Sat, 03 Jan 2009 20:23:25 +0000</pubDate>
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		<description>Definitely true that Howard deals with serious subjects as if they were trivial in both Frost/Nixon and A Beautiful Mind.

But this is the last time I answer any of your comments: I wasted 30 seconds of my life with you, 30 seconds I could&#039;ve spent creating something. Go away, you and your evil clutches of scientology-sympathizing...</description>
		<content:encoded><![CDATA[<p>Definitely true that Howard deals with serious subjects as if they were trivial in both Frost/Nixon and A Beautiful Mind.</p>
<p>But this is the last time I answer any of your comments: I wasted 30 seconds of my life with you, 30 seconds I could&#8217;ve spent creating something. Go away, you and your evil clutches of scientology-sympathizing&#8230;</p>
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		<title>Por: maclaine</title>
		<link>http://lamina.wordpress.com/2009/01/03/frostnixon-2008/#comment-433</link>
		<dc:creator>maclaine</dc:creator>
		<pubDate>Sat, 03 Jan 2009 19:35:43 +0000</pubDate>
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		<description>I can&#039;t agree with your claim that Ron Howard films usually deal with trivial subject matters, since defining what&#039;s trivial and what&#039;s not can be very subjective. John Nash&#039;s life, for example, is full of idiosyncrasies and contradictions leading to a remarkable story -- if not a smashing film. Therefore, I would rephrase your statement: Ron Howard films usually treat their subject matters as they were trivial.</description>
		<content:encoded><![CDATA[<p>I can&#8217;t agree with your claim that Ron Howard films usually deal with trivial subject matters, since defining what&#8217;s trivial and what&#8217;s not can be very subjective. John Nash&#8217;s life, for example, is full of idiosyncrasies and contradictions leading to a remarkable story &#8212; if not a smashing film. Therefore, I would rephrase your statement: Ron Howard films usually treat their subject matters as they were trivial.</p>
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